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Crow of the Ocean - EPILOGUE

 The following is an epilogue to 'Crow of the Ocean', a book I have written on the train to and from army over the course of my final year of service. This epilogue is in no way mandatory for understanding the story and its themes. It might even occlude some of them! Nevertheless, I felt the ending a bit abrupt. Enjoy. CROW OF THE OCEAN EPILOGUE It was just as Anneli had feared; her grandmother had demanded she account for herself. Previous occasions when this had occurred had seldom been pleasant. She had been questioned about Cantiza’s virtues as a companion, she had been grilled over her disinterest in the sciences, and she had been scolded about her obsession with celebrity poets. She’d ably acquitted herself on these past encounters, or at least so she thought: her grandmother had always conceded some vital point, had admitted that Anneli’s perspective and actions were, if not quite correct, at the very least defensible. And still, despite such concessions, Anneli had alwa...
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Crow of the Ocean - Part 3 OF 3

The following is the third part of a story I've been writing on the train this past year. It is done, just in time for my release from the army. This is fortunate, as I'll have no reason to attend the train every day once I'm released! If you've read the previous two parts and have come back for a third helping, I am rather grateful. Enjoy. CROW OF THE OCEAN PART 3 There are a plethora of possible sensory assaults by which one might be awakened: the pleasantries of birdsong; the pungent smell of fertilized fields; the warm blemish of creeping sunlight. The ballads all started with something along these lines. Anneli thought the trope as fantastical as the rest of a ballad - real people were awakened by their conscience, or at least their work ethic. Anneli was unbothered by this - ballads and poems, plays and novels, all were enhanced by the sense of unreality about them. By beginning with the merely strange, the wondrous and supernatural could blend in without a jarrin...
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